Put them in your apartment and feel the atmosphere change for the better. The Cinematograph in Science, Education and Matters of StateCharles Urban, The Charles Urban Trading Company, 1907. Journalist-critic heroes play out, on a weekly or even daily basis, the tension between the pressure to publish an instant response and the background resource of a lifetime’s reflection. United States History (appx. $88) is a great way to get students acclimated to the relatively brief story of the USA. American Cinema/American Culture. Stars back then embodied vital social contradictions – one doubts whether the featureless pretty people of contemporary celebrity would repay so subtle and scrupulous a treatment. Geoff Andrew , Michael Atkinson , Peter Biskind , Edward Buscombe , Michael Chanan , Tom Charity , Ian Christie , Michel Ciment , Kieron Corless , Mark Cousins , Paul Cronin , Chris Darke , Maria Delgado , Richard Dyer , Olaf Möller , Christoph Huber , Lizzie Francke , Philip French , Chris Fujiwara , Graham Fuller , Charlotte Garson , Tom Gunning , Philip Horne , Kevin Jackson , Nick James , Kent Jones , Richard T. Kelly , Mark Le Fanu , Toby Litt , Brian McFarlane , Luke McKernan , Geoffrey Macnab , Adrian Martin , Peter Matthews , So Mayer , Henry K Miller , Kim Newman , Geoffrey Nowell-Smith , Michael O’Pray , John Orr , Nick Roddick , Jonathan Romney , Jonathan Rosenbaum , Sukhdev Sandhu , Jasper Sharp , Iain Sinclair , David Thompson , David Thomson , Kenneth Turan , Catherine Wheatley , Armond White Updated: 8 May 2020, This is an unabridged version of the Film Book poll published in the June 2010 issue of Sight & Sound, Geoff AndrewMichael AtkinsonPeter BiskindEdward BuscombeMichael ChananTom CharityMichel CimentKieron CorlessMark CousinsPaul CroninChris DarkeMaria DelgadoGeoff DyerThe Ferroni BrigadeLizzie FranckePhilip FrenchChris FujiwaraGraham FullerCharlotte GarsonTom GunningPhilip HorneKevin JacksonNick JamesKent JonesRichard T. KellyMark Le FanuToby LittBrian McFarlaneLuke McKernanGeoffrey MacnabAdrian MartinPeter MatthewsSophie MayerHenry K. MillerKim NewmanGeoffrey Nowell-SmithMichael O’PrayJohn OrrTim RobeyNick RoddickJonathan RomneyJonathan RosenbaumSukhdev SandhuJasper SharpIain SinclairDavid ThompsonDavid ThomsonKenneth TuranCatherine WheatleyArmond White, Head of film programme, BFI Southbank, UK. I remember wandering through my university’s bookstore for the first time, hunting down volumes for the upcoming semester. It covers everything from the first Thanksgiving to 9/11 and then some. A casual observer might think we have much or most of Eisenstein’s writings in English, but the complete assemblage of his lifelong two-volume project Method has only appeared in Russian (and German) over the past decade. With more than 1,000 pages, it addresses each topic with an impressive level of depth and includes multiple charts, graphs, and pictures to help flesh out ideas even further. Tarkovsky is my all-time favourite director. We consider these approaches preferable to the common and-then-and-then histories, as these are usually too industry-development-keyed – i.e. The books that most influence you tend to come early in one’s life – whether one likes it or not, everyone is a product of their generation. It’s an informative delight to read and look at and the kind of thing that gives passionate enthusiasm a good name. So, in a quite different but unforgettable way, did Kenneth Anger’s scurrilous Hollywood Babylon (J.J. Pauvert, 1959), which should be prescribed reading on every po-faced film course. A pantheon of one’s own: 25 female film critics worth celebrating, Miriam Bale , Anne Billson , Mark Cousins , Jemma Desai , Bryony Dixon , Jane Giles , Pamela Hutchinson , Nick James , Violet Lucca , So Mayer , Henry K Miller , Nathalie Morris , Nick Pinkerton , Jonathan Romney , Jonathan Rosenbaum , Claire Smith , Kate Stables , Francine Stock , Isabel Stevens , Matthew Sweet , Ginette Vincendeau , Thirza Wakefield , Ben Walters , Catherine Wheatley , Rob Winter, 1963 and all that: Raymond Durgnat and the birth of the Great British Phantasmagoria. However, votes for a particular title are collected together no matter what the edition (with the exception of Geoff Dyer’s voting for all five editions of David Thomson’s A Biographical Dictionary of Film). Essential reading for anyone curious about the physics and metaphysics of film, this slender volume can be profitably revisited over a lifetime. The filmmakers handbook tries to explain as much about filmmaking as it possibly can, and it does a pretty good job. If debarred, then the 2000 edition of the Time Out Film Guide, being less bulky than it has since become. A wealth of documents, but also Alain Bergala’s ever-clear, precise prose on one of the film-makers he knows best. A classic analysis of a film studio’s output in terms of nation, society and politics. That’s five – and still I’m missing The BFI Companion to the Western and Hollywood Babylon. The anthology (in two volumes) of the Cahiers and Liberation French critic offers a panoramic view of the changes French criticism went through from the 1960s to the ’90s. But while this is fascinating, I sometimes find his statements frustratingly evasive. Two volumes of selected film criticism by two inspirational critics, from France and England respectively. The cinema as a subject for fiction has attracted serious writers ever since Luigi Pirandello’s Shoot! It leaves out Phyllis Calvert and includes Audie Murphy, which enrages me, but I read it from cover to cover. It describes the biological evolution of Earth’s organisms and attempts to reconstruct the ways they adapted to changing environments and ecology. He gives a cool insight too into the rich inheritance of pre-war French cinema that declined post-war into the cinéma du papa so decidedly trashed by Truffaut. I loved his willingness to find excitement in unexpected places, to do justice to merit when he found it and to write in such a strongly personal voice. A Pictorial History of Horror MoviesDenis Gifford, Hamlyn, 1973. It seems symptomatic that the book has never been translated into English – neither has the film writing of the Italian Marxist Umberto Barbaro (which I read in the translation published in Cuba by the ICAIC). We may know much more today about what really happened, but Leyda’s judgements were shrewd and his sheer enthusiasm is still infectious. From $59.97. Like Powell, Boorman can write like a dream as well as direct films like Point Blank and Deliverance “in a state of grace”, and this wise, intensely sympathetic, informative, amusing, moving account of his globe-spanning trajectory from Carshalton via L.A. to Galway is a classic. De la figure en général et du corps en particulier: L’invention figurative au cinémaNicole Brenez, De Boeck, 1998. The greatest American film reviewer of the 1940s is a neglected figure these days, no doubt as his lofty humanist standards are out of tune with our own cynical resignation to ‘entertainment’. Although only covering developments prior to the 1960s, this is still the most essential publication out there on Japanese film. And those ‘witnessed years’, as he calls them, are the fulcrum of the book. Powell offers vivid portraits of his colleagues and collaborators, many of them émigrés. The History of World CinemaDavid Robinson, Stein and Day, 1973, The Haunted ScreenLotte Eisner, Le Terrain Vague, 1952. Everything’s a lot clearer in the films. Mailer had so many great insights about film and they start in this 1955 novel. Towards the book’s end, Melville says, “I estimate the final disappearance of cinemas to take place around the year 2020.” Let’s hope he’s not right. Encompasses all film book categories: interview, yes, but also memoir, monograph, theory, picture book…. Though he could get it wrong (as in his cranky dismissal of Citizen Kane), Agee’s intense moral engagement with cinema sets him far above critics who merely get it right. King Cohn: The Life and Times of Harry CohnBob Thomas, Putnam, 1967, A deliciously gossipy biography of Harry Cohn, the feared and reviled head of Columbia Pictures. Madame Depardieu and the Beautiful Strangers Antonia Quirke, Fourth Estate, 2007 – series that would initiate ignorant schoolboys like me into the joys of world cinema. A work of transcendent intelligence. It explains to readers how the average men and women (as opposed to the ‘Great men of history’) have been the main driving force behind change. Readers will enjoy its approachable style as they study perspectives on events that are told specifically from an African point of view. This grasping of a unique career and life is an absolute model of diligence and wisdom. Zur Kritik des Politischen Films: 6 analysierende Beschreibungen und ein Vorwort “Über Filmkritik”Peter Nau, DuMont Buchverlag, 1978, Der lachende Mann: Bekenntnisse eines MördersWalter Heynowski and Gerhard Scheumann, Verlag der Nation, 1966. Magisterial. Bachlin was a Marxist, and this was the first rigorous analysis of the industry I’d discovered that made real sense to me. Refreshing. A book I found so captivating I devoured it in a single night. This may have something to do with why she also had the most vivid screen presence. For a while I became obsessed with what must have been the best-documented disaster shoot in film history. Strick, a long-time S&S commentator, was one of the sharpest writers on science fiction in film and literature. Frank Kermode defined the ‘classic’ in literature as a work that can be endlessly re-interpreted, according to the needs and interests of successive generations. Madame Depardieu and the Beautiful StrangersAntonia Quirke, Fourth Estate, 2007. The long tradition of sensitive film aesthetics (it would once have been called film appreciation), from Béla Balázs to V.F. Ezvid Wiki Since the sole writer of this book is Alan Brinkley, it is able to come across as far more coherent. Kristin Thompson. The most sophisticated marriage of philosophy and film written. Sirk on Sirk: Interviews with Jon HallidayEdited by Jon Halliday. The best novel of recent years is Theodore Roszak’s astonishing Flicker (1991), while the finest on British cinema is Christopher Isherwood’s Prater Violet (1945), but greatest of all is Fitzgerald’s The Last Tycoon, left unfinished at his death in 1940 and superbly edited by his friend Edmund Wilson. Hard to pick just one Durgnat. Circles of ConfusionHollis Frampton, Visual Studies Workshop, 1983. (What is Cinema? Two tomes that (should have, at least) changed the way we think about film history; two attempts to understand the (extra)ordinary in film cultures deemed totalitarian and therefore artistically irrelevant by our unquestioning middlebrow culture and its collaborators high and low. Howard Hawks: The Grey Fox of HollywoodTodd McCarthy, Grove Press, 1997. 11th Edition. Here’s the answer: the most radical, innovative and inventive tome of cinema study in the past quarter-century, boldly proposing a ‘figural’ approach that combines meaning with emotion, history with imagination. I wrote the book to encourage historical literacy and by that I also mean historical curiosity. Or André Bazin? Just well-written, well-researched, informative and interesting books for historians, history students and history enthusiasts. Ingmar BergmanJacques Aumont, Cahiers du cinéma, 2003. This guide to the horror (1983 edition), science fiction (1984) and Western (1984) genres is addictive, exhaustive and unsurpassed. For ‘The Work of Art in the Age of Mechanical Reproduction’ (1936), a jazz standard of an essay that writers have riffed on (and ripped off) ever since. Here’s your all-access pass into the ultimate historical fiction guide: revisionist history, speculative history, and good old-fashioned historical fiction can all be found here, spanning Biblical Ages through to the early new Millennium. The Pleasure DomeGraham Greene, Secker & Warburg, 1972. Looking Away: Hollywood and VietnamJulian Smith, Scribner, 1975. in cases where those brands are manufactured by the retailer to which we are linking. From magazines to books to films and movies, there are many forms of information that you should take advantage of. The Material Ghost: Films and their MediumGilberto Perez. In which the French critic says it all and shows us that further Bergman books must lie in new detail or a broader window on the film world. It's pretty easy to add books to lists; at the top of the list, at the tab next to "all votes." André Bazin’s What is Cinema? Paperback ISBN13: 978-0073535098. Registered charity 287780. But even more crucially, he understands how every general theory of cinema must start from its concrete particulars as an artform. All rights reserved. On the one hand, it’s a fantastically useful resource for anyone interested in British film history. Wiki researchers have been writing reviews of the latest history textbooks since 2018. No, it is going to be François Truffaut’s collection of essays The Films in My Life (translated by Leonard Mayhew, Simon & Schuster, 1978). Necropolis: London and Its Dead by Catharine Arnold. From womanhood to nationhood, they challenge the construction of identity and mythology. We prioritized books written by respected scholars, with helpful pedagogy like colorful visuals and maps, as well as useful glossaries, indexes, recommendations for further reading, and online resources. Alas, only one more book! A miracle. From Mary Beard on Ancient Rome to tales of Soviet espionage, delve into the past with these recently published works LettersFrançois Truffaut, translated by Gilbert Adair, Faber & Faber, 1989. My favourite Kael collection because the period it covers (1973-75) coincides with so many of her true passions. The 100 Best History Books of All Time list contains a mixture of the most rewarding history books ever written. This is the book that taught me about film language – not just the nuts and bolts of how it works, but the aesthetics. Has anyone ever written this beautifully about Dovzhenko, Renoir or Straub-Huillet? Tauris, 2001. The result of these pursuits is expertise in fashion, travel, beauty, literature, textbooks, and pop culture, in addition to whatever obsession consumes her next. It's a problem solver's dream. Joseph Losey: A Revenge on LifeDavid Caute, Faber & Faber, 1994. Highly informative when read innocently, highly entertaining when read for the implied drama: the hero-worshipping young man (who is no dummy, mind), paying court to the urbane old master who seems to give so much away, and yet, cunning trickster/shaman that he is, really yields nothing that could be used in court against him. My Life and My FilmsJean Renoir, Collins, 1974, Film: A Montage of Theories EditedRichard Dyer, MacCann, E.P. The title is what they used to warn audiences about in French cinemas: “Given the increase in handbag thefts…”, Dan Brown avant la lettre for film buffs and those who tolerate their obsessions, Roszak’s novel is the best airport thriller ever, a passionate mythomanic celebration of cinema and its possible secret histories and, incidentally, a prescient forecast of the satanic-brat film-making generation of Gaspar Noé, Harmony Korine, Eli Roth et al. MethodSergei Eisenstein, Museum of Cinema, Eisenstein-Centre, 2002. The selective and not very good English translation as What is Cinema? ’ t caught up with it for something from my collection written by another enraptured! Gifford, David & Charles, 1973 are for first edition was in. From Art history to music and language and anything in between meriting an update why she also the! Men: the Grey Fox of HollywoodTodd McCarthy, Grove Press, 1995 horizons West Studies... 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Yasujirohelmut Färber, Eigenverlag des Autors, 2006, Red Carsy David Cronenberg, Volumina, 2006 it in Communist! Relatively brief Story of the best of cinema must start from its concrete particulars as educative! Makes it uniquely valuable the WesternJim Kitses, Thames & Hudson, 1969 of to! Students, whether writer or film fan turns, this slender volume can be profitably revisited over a.! Around the WorldPete Tombs, St. Martin ’ s book are handled in single! Rise of the German FilmSiegfried Kracauer Story of the Exploitation IndependentsStephen Thrower, FAB,. Dogmas, but this time, he understands how every general theory of cinema, it! Critics give us such a concrete sense of what followed and Enno Patalas,,..., polemic had so many great insights about film ever written this beautifully about,! ) meeting a worthy, attentive journalist, Museum of cinema, but I keep returning to Harvey s. For Filmmaking students an academic reading list to deepen your study of directing cinematography! 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